Popular.
Temporary Pleasure, based in Berlin. Experimental design practice and concept club merging architecture, dance culture, live performance, and new media through the concept of the ‘postmodern dancefloor. https://temporary-pleasure.com
Rave Scout Cookies® is a co-creative multimedia platform and sustainability project focused on empowering marginalized artists, preserving the socially conscious origins of underground dance music, and cultivating safe spaces in electronic music. https://ravescout.club/
Madison Moore. Madison is an artist-scholar, DJ, and Assistant Professor of Modern Culture and Media at Brown University. He specializes in exploring how queer and trans people of color use aesthetic, sonic, and spatial strategies to overcome adversity. Madison holds a Ph.D. in American Studies from Yale University and has worked at esteemed institutions such as the University of Southern California and King's College London. https://www.madisonmooreonline.com/
Lugo-Elías, C., Cardoso, P. (2024). Gaps, Goals, and Actions for the Development of the AfterLab: A Laboratory for Design Applied to the Dance Floor Experience. https://doi.org/10.1007/978-3-031-41770-2_2
Lugo-Elías, C., Cardoso, P. (2023). Design Radicalized as Experience: Disentangling and Reassembling the Dance Floor Experience to Understand the Relationship Between Design and Clubbing. https://doi.org/10.1007/978-3-031-06809-6_6
Lugo-Elías, C., Cardoso, P. (2023). Embodiment, Memory, and Consent: Strategies to Conduct a Research in Design Using Participatory Observation in Clubs. https://doi.org/10.1007/978-3-031-20364-0_3
Lugo-Elías, C., Cardoso, P. (2022). Design is in the House: Basic Concepts to Understand the Role of Design in the Creation of the Club Experience. https://doi.org/10.1007/978-3-030-89735-2_42
Lugo-Elías, C.: Reassembling the Dance Floor: Exploring interactions at after-parties in spaces of consumption of electronic music in the city of Oporto in the years 2016–2018. Doctoral thesis, University of Porto, Portugal (2021). https://repositorio-aberto.up.pt/bitstream/10216/135399/2/486880.pdf
Biehl-Missal, B. (2016). Filling the ‘empty space’: site-specific dance in a techno club. Cult Organ 25(1):16–31. https://doi.org/10.1080/14759551.2016.1206547. Last accessed 27 April 2019.
Ferreira, P. (2008). When sound meets movement: performance in electronic dance music. Leonardo Music J (18):17–20. http://www.jstor.org/stable/25578110. Last accessed 19 March 2019.
García-Misprieta, L.M. (2023). Together, Somehow. Music, affect, and intimacy on the dance floor. Duke University Press.
Gillen, J.L. (2023). Temporary Pleasure: Nightclub Architecture, Design and Culture from the 1960s to Today. Prestel Publishing.
Lavin, S. (2009) Andy architect™—or a funny thing happened on the way to the disco. Log 15 (Winter 2009), pp 99–110. http://www.jstor.org/stable/41765265. Last accessed 16 July 2018
Lovell J (2021) Cerebrum: modelling the mind through psychedelic and playful environments. J Design Hist 34(2):149–165. https://doi.org/10.1093/jdh/epaa054. Last accessed 18 Jan 2022
Kries, M., Eisenbrand, J., Rossi, C. (eds.). Night Fever: Designing Club Culture. Vitra Design Museum, Weil am Rhein, Germany (2018).